You may have already heard of Narnia before you start to read this book.
If you are lucky enough to find your way into Narnia, you will discover that it is a wonderful place for adventures of all kinds, with animals and fairy creatures of all kinds. But, be careful how you behave while you are in Narnia because you will have to account for all your doings!
Can anyone go to Narnia? Yes, of course. There are numberless doors into the kingdom, but you must find your own door. In this book, Peter, Susan, Edmund and Lucy hide in a wardrobe, and when they push their way past the fur coats hanging inside, and keep on pushing, they finally pop out in a mysterious, snow-covered forest, deep in the heart of Narnia.
Well, Lucy stumbles in first, on her own. She's a happy little thing, willing to think the best of everyone, and she meets Mr Tumnus the faun, who invites her home to tea. They have a lovely time, and only when it is time to leave does Mr Tumnus reveal his dilemma:
For my setting, I knew I needed someplace ridiculously rainy. I turned to Google, as I do for all my research needs, and looked for the place with the most rainfall in the U.S. This turned out to be the Olympic Peninsula in Washington State. I pulled up maps of the area and studied them, looking for something small, out of the way, surrounded by forest... And there, right where I wanted it to be, was a tiny town called "Forks." It couldn't have been more perfect if I had named it myself. I did a Google image search on the area, and if the name hadn't sold me, the gorgeous photographs would have done the trick. (Images like these of the Hoh Rainforest (a short drive from Forks). Also see forks-web.com ). In researching Forks, I discovered the La Push Reservation, home to the Quileute Tribe. The Quileute story is fascinating, and a few fictional members of the tribe quickly became intrinsic to my story.
All this time, Bella and Edward were, quite literally, voices in my head. They simply wouldn't shut up. I'd stay up as late as I could stand trying to get all the stuff in my mind typed out, and then crawl, exhausted, into bed (my baby still wasn't sleeping through the night, yet) only to have another conversation start in my head. I hated to lose anything by forgetting, so I'd get up and head back down to the computer. Eventually, I got a pen and notebook for beside my bed to jot notes down so I could get some freakin' sleep. It was always an exciting challenge in the morning to try to decipher the stuff I'd scrawled across the page in the dark.
The Cat In The Hat.
The Cat in the Hat is a hard-hitting novel of prose and poetry in which the author re-examines the dynamic rhyming schemes and bold imagery of some of his earlier works, most notably Green Eggs and Ham, If I Ran the Zoo, and Why Can't I Shower With Mommy? In this novel, Theodore Geisel, writing under the pseudonym Dr. Seuss, pays homage to the great Dr. Sigmund Freud in a nightmarish fantasy of a renegade feline helping two young children understand their own frustrated sexuality.
The story opens with two youngsters, a brother and a sister, abandoned by their mother, staring mournfully through the window of their single-family dwelling. In the foreground, a large tree/phallic symbol dances wildly in the wind, taunting the children and encouraging them to succumb to the sexual yearnings they undoubtedly feel for each other. Even to the most unlearned reader, the blatant references to the incestuous relationship the two share set the tone for Seuss' probing examination of the satisfaction of primitive needs. The Cat proceeds to charm the wary youths into engaging in what he so innocently refers to as "tricks." At this point, the fish, an obvious Christ figure who represents the prevailing Christian morality, attempts to warn the children, and thus, in effect, warns all of humanity of the dangers associated with the unleashing of the primal urges. In response to this, the cat proceeds to balance the aquatic naysayer on the end of his umbrella, essentially saying, "Down with morality; down with God!"
After poohpoohing the righteous rantings of the waterlogged Christ figure, the Cat begins to juggle several icons of Western culture, most notably two books, representing the Old and New Testaments, and a saucer of lactal fluid, an ironic reference to maternal loss the two children experienced when their mother abandoned them "for the afternoon." Our heroic Id adds to this bold gesture a rake and a toy man, and thus completes the Oedipal triangle.
Later in the novel, Seuss introduces the proverbial Pandora's box, a large red crate out of which the Id releases Thing One, or Freud's concept of Ego, the division of the psyche that serves as the conscious mediator between the person and reality, and Thing Two, the Superego which functions to reward and punish through a system of moral attitudes, conscience, and guilt.
Referring to this box, the Cat says, "Now look at this trick. Take a look!" In this, Dr. Seuss uses the children as a brilliant metaphor for the reader, and asks the reader to re-examine his own inner self.
